New Music Friday: Nightfall by Little Big Town

I hope you all are ready for some country music by women because after my latest trip to Nashville I’m even more determined to promote female country artists. Despite what country radio would have you believe, they do in fact exist. It’s only January 24 and I already have enough new music tagged to write New Music Friday posts for an entire month. That will obviously only continue to grow. I think I might just write about country ladies until I run out of them.

My first post is actually about Little Big Town, a country group that is mostly fronted by ladies but which is composed of two women and two men. So there are some songs fronted by men, but for the most part Karen Fairchild is their frontwoman so I’m going to go with it. They have actually been a fixture in country music radio for the past decade until this album apparently. Their new album Nightfall came out last Friday, but I haven’t heard either of the singles that have been out since last fall on my local country station.

It’s probably because the new album for the most part doesn’t fit into country music’s current obsession with men and their obsessions with trucks, women, and drinking. Stephen Thompson from NPR music called it “…very adult songwriting. Songs for grownups about grownups.” That is not something country music seems terribly interested in. It’s not really a surprise that country music radio didn’t want to touch the first single off the album, “The Daughters”, which contains lyrics like

“And pose like a trophy on a shelf
Dream for everyone, but not yourself
I’ve heard of God the Son and God the Father
I’m just looking for a God for the daughters”.

Aside from the one dumb drinking song that I guess they thought was obligatory and which I skip every time I listen to the album, the whole thing is fantastic. It’s beautiful and profound country music with songs that address real issues. It’s by far my favorite Little Big Town album. Of course it’s the only Little Big Town album I think I’ve listened to all the way through. Although I’ve enjoyed their singles in the past they did not for whatever reason ever inspire me to dig deeper, but the two songs I heard off this album to start made me want to listen to the whole thing and I’m so very glad I did.

I really do encourage you to listen to the entire album, but if you don’t want to at least listen to “The Daughters”.

 

 

 

Nashville Part 2: The Music

Yesterday I wrote about my recent trip to Nashville. Today I’m going to talk about the music. The trip happened because we wanted to see Brandi Carlile perform at The Ryman. I knocked the Ryman off my concert venue bucket list back in 2017, but it’s a fantastic venue and I of course wanted to see my favorite artist play there. I mean realistically it’s a good thing I don’t live in Nashville or I’d probably have to get a second job to support all the shows I would go see at The Ryman. I commented that I’m glad that I’ve never wound up on their mailing list because of course I would just have constant fomo, but also it might be too dangerous as I would be too tempted to book a flight to Nashville to go see things.

Aside from the ridiculously drunk woman sitting next to my friend it was a fantastic show as expected. The woman was wasted from the second we sat down and would not stop touching and putting her arm around my friend. That’s totally my fault as I’m usually the one who attracts the worst people in every venue, and I think the ticket I had in my hand actually had her seat number on it (shh don’t tell). I think she handled it much better than I would have, so I thank her for her sacrifice.

Of the six shows Brandi Carlile is doing at the Ryman, I think we were at by far at the best one (even though as of my writing this one of them hasn’t happened yet, but I’ve never been a fan of Courtney Barnett who is the opener so there’s no way that one is better). At least it was definitely the one most made for me. When we bought the tickets we just chose by the date. There was no information at that point as to who the openers would be. The opener for our show wound up being Brandi’s fellow Highwoman, Natalie Hemby. Natalie had one album as a performer that didn’t really go anywhere, but she has been a prolific songwriter for many big country acts including Miranda Lambert, Little Big Town, and Kacey Musgraves. She was drafted into writing some songs for The Highwomen and Brandi was like you’re not just writing for us you’re going to be part of the group. Now Natalie is working on her second album. I don’t expect stupid country radio to pay it any mind, but I for one am very excited about it and will definitely go see her when she presumably tours to support it.

Natalie Hemby was a pure delight as a performer. Even with a cold her music was great and her stage banter between songs was hilarious. She even brought her daughter out to sing Kacey Musgraves’ “Rainbow”, which she co-wrote, with her. You could tell her daughter was nervous at first, but by the end she was totally into it. Brandi ran out on stage and gave her a big hug at the end of the song. It was all very sweet. I cannot wait to have more Natalie Hemby in my life.

Brandi’s set was of course fantastic as always. Every time I see her I cannot wait to see her again. My friend and I were already lamenting that we didn’t have tickets to any of the remaining shows as soon as this one was over. It’s okay though because as I said I think we were at the one most tailor made for me. Since Natalie Hemby was the opener they did more Highwomen songs than they’ve done in the other sets with of course Natalie joining her. Sheryl Crow also joined them on “Redesigning Women”. Then Sheryl sang “Redemption Day” with Brandi filling in the Johnny Cash parts of the posthumous duet/cover of the song that was on Sheryl’s most recent album.

One of the things that I love about Brandi is her desire to promote other artists. In that vein at this show she also brought out The War and Treaty to cover Aretha Franklin’s “Do Right Woman, Do Right Man” with her. She said she was about to experience a vocal body slam and she was not lying. The War and Treaty have some voices.

This set seems to have been the only one of two so far where she played “Mainstream Kid”, which is one of my favorite songs for her to play live even though it’s by far not one of my favorite songs to just listen to. It just has such great energy and she always gets super into it. It was another amazing Brandi Carlile show and I’m already counting down the days until I get to see her again.

As I mentioned in my previous post on Friday night we wound up at a venue called The Listening Room Cafe, which our RCA Studio B tour guide recommended if you were unable to get into the Bluebird Cafe, which we were sadly not. Like the Bluebird, The Listening Room is designed to showcase songwriters with the songwriters performing their songs in the round, i.e. they all take turns performing a song each then repeat through however many rounds they have time for during the set.

At the show we were at the performers were Jesse Lee, Zach Kale, and Joshua Patton. They were all three pretty good although I liked Zach and Jesse more than Joshua I liked  Jesse most of all. I really liked the songs she wrote and I loved her voice. I did a little more digging and it appears that she did put out an album back in 2009, which didn’t really go anywhere so I guess she must have decided to concentrate on songwriting. She said it’s taken her 14 years, but she’s finally had some success. She co-wrote Brett Young’s number 1 hit “Like I Loved You” and Kelsei Ballerini’s song “Peter Pan”. She sang another song that as far as I’ve been able to ascertain hasn’t been recorded by anyone, but I loved it and was mad when she said she had written it for a man to sing. I mean obviously if you actually want your songs to get played on country radio at this point you better write them for a man to sing, but man it really burns me that she’s writing it hoping some man will decide to sing it when I adored her singing it and wish she could actually get success singing it.

I also really appreciated that they talked about their careers as songwriters, what goes into it, and the challenges it entails. It’s a side of the music business I feel like you don’t get to hear that much about. They all had really good rapport together and would chime in to harmonize at points when each of them were singing. It was a really great set and I’m really happy our tour guide alerted us to this venue.

It as an excellent musical trip to Nashville. I’ll be back again at some point to try and get into the elusive Bluebird Cafe, which is becoming my white whale of concert venues. Plus I want to go to The Caverns for Bluegrass Underground, which is 90 minutes outside of Nashville. So there will be at least one more trip to Nashville in my future.

Nashville Part 1: The Trip

I spent the last few days with a friend in Nashville. I’m going to split the trip into two posts with this one general information about the trip and the second one about the music. That way this post doesn’t get super unwieldy and the 90% of you who read this blog who don’t care about the music can just skip that one like you do all my other music posts.

Years ago I bonded with a fellow librarian over our shared love of music on Twitter eventually meeting up with her at conferences and becoming real life friends. About 7 months ago I happened to text her about something on the same day that the fan club pre-sale tickets were going on sale for Brandi Carlile’s 6 night stint at the Ryman Auditorium in Nashville. She mentioned that she was thinking about going. I had jokingly mentioned it to my husband who I knew would never go for it earlier in the week. As expected his response was you’ve already been to the Ryman and you’ve seen Brandi a million times. We are not going to that. I told her that and she was like well you should just come with me. I said you’re right I should and within a few hours we made plans and had tickets through the pre-sale. Yay for spontaneity!

We rented an Airbnb in East Nashville. My husband and I had stayed in that neighborhood a few years ago and I thought it was a great location and recommended we stay there. It’s only about one and half to two miles to whatever you might want to do downtown. We’re both big walkers so we were happy to walk everywhere except maybe Saturday morning when it was raining, cold, and crazy windy. I think we kind of regretted making that walk instead of taking a Lyft. The neighborhood was already very much gentrifying when we were there last time and it has even more so in the last two and half years. We wound up grabbing lunch on Thursday at a food hall that wasn’t there the last time I was in Nashville.

Thursday night was the Brandi Carlile concert, which I will have much more to say about in my next post. We walked over to the Ryman and I was shocked at how empty Broadway where all the bars and honky tonks are was because it was insane last time we were there in April. I guess the cold of January means there are far fewer tourists. Last time I was there I told my husband this street is my nightmare and got off it as fast as possible. This time I was like I could probably deal with this if we decide to do something here. Even though I would have preferred warmer weather I definitely liked that the city was less crowded and had far fewer bachelorette parties this time around.

Friday I suggested we go on the RCA Studio B tour. It was the one thing I was interested in last time we were in Nashville that we didn’t do for some reason. You have to buy it bundled with entry to the Country Music Hall of Fame. I had done that last time I was in Nashville, but there were some new exhibits so it wasn’t all a repeat for me. RCA Studio B is a historic recording studio where lots of people recorded including The Everly Brothers and Elvis. RCA has much newer and larger studios across the street now, but some smaller artists still occasionally record in Studio B. Our tour guide was great and gave us the tip of where we wound up going to see music on Friday night.

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I was hoping that we would get to go to the Bluebird Cafe on Friday night, but even with both of us trying to get tickets we were unsuccessful. We floated the idea of trying to get some of the few walk-up tickets available for the early show, but from everything I had read online you needed to get there at least 2 hours early if you wanted any chance. It was way too cold to consider waiting outside for that long. Our tour guide told us if you can’t get into The Bluebird you should go to The Listening Room Cafe as they do something very similar. Those tickets also showed as sold out online, but since it was in walking distance we decided to walk over and see if there was any hope of getting in. We got there about 2 hours before the show and got on the waiting list. We hung out at the bar and got some food while we waited and then happily got in. More on the show in my next post.

The previous day our tour guide also told us that our Country Music Hall of Fame tickets got us into the Frist Art Museum for free, so we decided we would go check that out. It’s a good thing it was free since apparently they only have traveling exhibitions and no permanent collection and two of their exhibitions had just closed leaving only the Eric Carle exhibit up. I learned some interesting things about Eric Carle and his work, but it definitely wouldn’t have been worth paying for.

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After that we headed over to check out the main branch of the Nashville Public Library because we’re librarians and that’s what librarians do. I can’t think of any other profession where people go on vacation and make it a point to check out the work places of other people in their profession. I guess it counts if you work in a museum. It’s a really nice library although there’s some weird dead spaces that I’m wondering what they thought they were going to do with them when they built it because right now they’re doing nothing with them.

Although Broadway was busier on Saturday than it has been the previous two days it still wasn’t insane in the middle of the afternoon, so we decided to pop into Tootsie’s for a drink since it’s such a historic part of Nashville music history. There was a cover band playing in the room we wound up in that was mediocre. It was worth going for one drink, but after that one drink we decided to go grab some lunch elsewhere.

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Lunch was pretty much the end of my trip as I flew home on Saturday night. My friend stayed until Sunday afternoon and in retrospect I wish I had too. When I made my plans many months prior I didn’t realize it was MLK weekend, so I partly wanted to come home Saturday because if possible I like having a day to chill at home before heading back to work when I travel. I still could have had that coming home Sunday since I don’t have to work on MLK Day. Also, I assumed my friend would want to do the whole barhopping on Broadway thing like a lot of people do when they’re in Nashville and I knew that wasn’t going to be something I ever wanted to do, so I thought I can leave Friday evening and then she can do that Saturday night. Well you know what they say about assuming because it turns out she had zero interest in doing that either, but I didn’t know that until we were there. So as it turns out I should have stayed and gone with her to listen to some bluegrass on Saturday night, but what are you going to do?

It was a super fun trip and I’m so happy that we decided to jump on it. I’ll have more to say in a day or two about the shows and music venues we went to while in town.

New Music Friday: Martha Divine by Ashley McBryde

I’m in Nashville right now so it feels right that this week’s New Music Friday post is about Ashley McBryde’s “Martha Divine”. It’s a great country rock song with a great twist on the old country trope of songs about taking some sort of revenge on the woman who cheated with your man. In this case it’s actually a daughter going after the woman who her father cheated on her mother with. This is a fantastic song, and I’m going to super mad when country music radio completely ignores it. Don’t let the literal man get you down. Let me help you find the great female country artists that the Nashville machine will make you think don’t exist anymore.

New Music Friday: And It’s Still All Right by Nathaniel Rateliff

Mellow is not a word I typically associate with Nathaniel Rateliffe who until know I’ve only known as part of his soul music with Nathaniel Rateliffe and the Night Sweats. “It’s Still All Right” is the first song off of his forthcoming album of the same name that will be released on Stax Records February 14. This song is a very mellow song about trying to keep going and finding hope when life is beating you down and your world seems to be falling apart. Very specifically it’s about the death of his long time producer and friend Richard Swift who died back in 2018. It’s not the kind of music I was expecting to hear from Nathaniel Rateliffe, but I very much like it and look forward to hearing the rest of the album.

My Most Memorable Pop Culture of 2019

Once again it’s time for my annual post on the pop culture that was most memorable to me over the past year. As always it doesn’t have to be something created in 2019. It just has to be something I consumed over the past year. And as always I emphasize that these are the things that meant the most to me, not necessarily the things that I think are the best thing made in any given category. In past year’s I’ve mostly tried to limit myself to one thing per category. I’m going against that this year in several categories because who says I have to choose just one thing? Sometimes I enjoy multiple things an equal amount and don’t want to choose between them. These are the things that brought me joy this year and why shouldn’t I want to introduce you to as many great things as possible? I make the rules here, so I say no arbitrary limits on how many things I’m allowed to write about!

Movie I Saw in a Theater

I often lament the lack of good romantic comedies like there once were, so I always try and go see the few and far between rom-coms that make it into movie theaters even when I know they are going to be terrible because I want Hollywood to know there’s a market for them. This year though the one rom-com I saw in a theater was not terrible. In fact it was my favorite movie of the year, The Long Shot starring Charlize Theron and Seth Rogen. I was slightly dubious about it because I don’t love Seth Rogen and all his drug humor. There was some of that in this movie, but just the right amount. I thought it was a very funny and sweet movie with a great modern day rom-com set-up for why the two leads just couldn’t be together.

I’ll also give a shout out to Knives Out, which was a very fun whodunit.

Movie I Watched at Home

This is the category I always have the hardest time filling out partly because I can never remember what I watched. Last year I kept a list and that worked out really well, so I thought that I would do that again this year. It didn’t really work though because every time I watched a movie at home, which wasn’t that frequently, I thought well that was okay, but I’m not even going to bother adding it to my list because there’s no way I would put it in my end of the year blog post. And that’s how it went for pretty much every movie I watched this year. There were zero movies on that list as of mid-December.

I didn’t initially think to include it because it’s not a traditional movie per se, but I’m going to go with the four hour Tom Petty documentary, Runnin’ Down a Dream. I’ve been meaning to watch it for years because Tom Petty is one of all time favorite artists and I’ve always heard good things about it. I just never wanted to commit 4 hours to it, but this year when I had a snow day back in February I thought today is the perfect day to finally watch this. It was indeed a very good music documentary. It focused mostly on Tom Petty’s musical career and didn’t delve much into his personal life, so I felt like it was a very good companion with the book Petty: The Biography by Warren Zanes which gets much more into Tom Petty as a person.

Fiction Book

I have two very different books I’m putting in this category this year. First is The Great Believers by Rebecca Makkai, which I recently read for my book club. The book moves back and forth in time between 1980s Chicago during the height of the AIDS crisis and 2015 Paris where you pick up with the sister of one of the young men who died and who nursed many of the men in his friend group as they too succumbed to the disease. The 1980s part is for sure the better half of the story. Some of those characters are still with me. The 2015 half while not as good is still engaging enough as to not drag the entire book down and I appreciated how everything came together at the end.

The other novel that I really loved this year was Fear of Falling by Georgia Beers. It was just a really great romance about a famous singer who recently lost her manager and whose label assigns a woman to manage her that she winds up having feelings for. It has very realistic obstacles throwing a wrench in their budding romance and I literally couldn’t put it down. We were on vacation in L.A. and my husband finally had to force me to quit reading so we could go out to the Griffith Observatory.

Non-Fiction Book

I actually have three non-fiction books that I want to write about. One Day: The Extraordinary Story of an Ordinary 24 Hours in America by Gene Weingarten. In this book a reporter picks a random day out of a hat and writes a book about what happened on a day that historically we would say nothing really happened. He digs into stories that may not have garnered national attention but that certainly impacted individual people, families, and communities. I found it to be a really fascinating book.

Say Nothing: A True Story of Murder and Memory in Northern Ireland by Patrick Radden Keefe is fantastic book covering the modern history of the I.R.A. and the Irish troubles. It’s a really well written book that presents a lot of information in a really accessible way. I learned so much more than I ever knew and it gave me a much better understanding of why a hard border being imposed as part of Brexit would be such a big deal.

My final non-fiction book is Dying of Whiteness: How the Politics of Racial Resentment is Killing America’s Heartland by Jonathan Metzl.  Physician and sociologist Jonathan Metzl explores how long held ideologies based on both overt and covert racism cause people to create policies that are detrimental to their own lives. Using focus groups and lots of comparative data analysis looking at states both before and after they passed certain laws and comparing them to states with similar demographics with opposite laws. He looks at gun laws in Missouri and how they have led to a huge increase in gun based suicide by white men. In Tennessee he examines the decision to not expand Medicaid under the Affordable Care Act causing significantly worse health outcomes compared to people in Kentucky where the Medicaid expansion was passed. Finally, he looks at tax cuts passed in Kansas particularly focusing on the effects on education. It’s a really well-researched book and a really compelling though maddening read.

TV Show

As much as I lament the lack of certain types of tv shows that once existed in larger quantities before streaming and prestige television took over there were still a number of tv shows that gave me great pleasure this year. I have already implored you multiple times to watch both Atypical and The Bold Type, and I’m not sure I have much new to say about them. However, as far as I know I haven’t convinced anyone else to watch them yet, so I’m going to keep trying because they are really great shows. I rarely rewatch tv shows because there’s always so much new stuff out there, but I’m already considering an Atypical rewatch because I miss those characters.

Chernobyl was an excellent show. I avoided watching it for a long time despite all the rave reviews because I thought it was going to be too depressing. I thought maybe I’ll watch just one episode a week to make it more bearable and then I wound up binge watching it because it was so good.

Derry Girls was pure delight. I also liked that having read Say Nothing meant I had a little better insight into the time and place when the show is set, but it’s not really necessary to know that much about the Irish Troubles to enjoy the show. It’s just a wonderful broad comedy about teenagers in Derry, Ireland in the 80s. The 12 episodes that exist right now are just not enough. I can’t wait until the release more.

Speechless ended its run on a high note back in the spring. If you’re unfamiliar it’s a sit-com about a family whose oldest son has cerebral palsy and who is played by an actor who does in fact have CP. It was a funny and heartfelt show that I think ended in a perfect way even if I wish we got more episodes. Also a special shout out to two other shows I loved that ended their runs this year Crazy Ex-Girlfriend and Jane the Virgin.

Unbelievable was a really well done limited series based on a true story of a young woman who was raped and not believed and the two female cops working on rape cases years later who finally brought her justice. It stars Kaitlyn Dever, Toni Collette, and Merritt Weaver giving excellent performances.

I also really enjoyed Ken Burns’ documentary Country Music. It was well worth the 16 and half hours of my time. I even wanted more because he didn’t go far enough in time for my liking. Maybe he’ll add more onto it down the line at some point.

I also would be remiss to not include Grey’s Anatomy because it’s still one of my favorite shows to watch every week. Last season and this season have felt like somewhat of a resurgence for the show even though I’m super annoyed with all the tie-ins to Station 19 to try and force people to start watching that. Seems like it’s only going to get worse when that show actually returns after the new year, which is just going to make me madder. All they’ve done is make me never, ever want to watch that show just out of principle.

TV Episode

The best tv episode I watched this year is also the hardest episode of anything I think I’ve ever watched. It was the fifth and final episode of the limited series When They See Us about the Exonerated Five who were wrongly convicted of brutally attacking and raping a woman in Central Park when they were teenagers. The final episode focuses on the experiences of Korey Wise, who was the oldest of the boys and the only one sent to an adult prison. It’s a brutal watch even beyond the rest of this series, which is extremely difficult but important.

In an entirely different vein, I love episodes of character based tv shows that just feel like a joyous pay-off for the characters where you get to mostly just watch them enjoy themselves. It obviously wouldn’t make for compelling television if every episode were like this, but I love when a show has developed its characters enough that they get a well deserved episode to just have fun and have good things happen to them. Season 2, Episode 9 of Pose, “Life’s a Beach”, felt like that. There were many excellent episodes in season 2 of this show which only got better this season in no small part because they dropped the stupid white characters from season one that were obviously there to sell the show to the network. Anyway, in this episode the ladies get to mostly take a break from their struggles and head away to a weekend at the beach. Their road trip is wonderful and watching them singing together in the car on the drive to the beach brought me great joy.

Album

If you don’t know what’s coming in this category then you obviously have not been paying attention to anything happening here in the past year. There were two albums that dominated my 2019. Way back on January 18 when it was released I predicted that Maggie Rogers’ Heard It in a Past Life would very likely be my album of the year, and I was not wrong. Every amazing album that came after it in 2019 did not manage to unseat it from my heart. It is by far the album I have listened to the most in 2019 (my highly skewed Spotify stats notwithstanding). I adore every song on it, and it’s one I’m sure I’m going to continue to go back to in 2020.

The album that Spotify thinks is my most played album of 2019 is the other album that deserves a spot here and that’s the debut (and maybe only) album by The Highwomen the country super group composed of Amanda Shires, Brandi Carlile, Maren Morris, and Natalie Hemby. Spotify thinks that because I did for sure listen to this album a lot, but unlike other albums pretty much only on Spotify because I bought the album as a physical CD along with a hoodie and bumper sticker. The CD is still sitting under my coffee table wrapped in cellophane. It’s too much of a pain to drag out the external optical drive to upload the songs from the CD onto my computer (#firstworldproblems).

The Highwomen’s album is full of amazing songs by these women that seek to uplift other women. As they have said many times it’s more than an album or a group it’s a movement. I adore everything that it stands for. I love these women together and separately. Even though the idea for the group came from Amanda Shires, Brandi Carlile has sort of been the front woman for the project. I’ve heard them call her their quarterback. This is only a small part of what she’s doing to lift up other women in music and there’s a reason I will follow her to the ends of the earth (I already have tickets to see her three times in 2020 in places nowhere near where I live.)

Recently she was awarded the Trailblazer Award for Women in Music by Billboard. It so happens that Maggie Rogers was the one to present the award to her and Maggie’s speech pretty much exemplifies why I love both of these women so much.

Song

2019 was a fantastic year for music. My 2019 playlist of songs I loved during the year is longer than any playlist I’ve created by over half. I’ll share that in a future post, but for now I’m going to focus on a single song here even though I could include a hundred. It’s the title song from The Highwomen called “Highwomen”. It’s a rewrite of the song from The Highwaymen, the 80s and 90s male country super group which they created a female alternative to. It re-imagines the lyrics with each verse telling the story of a woman who was persecuted. It’s an incredibly powerful song. I first heard it before it was even released when they performed it at the Newport Folk Festival. It gave me chills and made me know for sure that this album was going to be something that I loved to my very core.

Actually I lied. I have two songs because I was just reviewing the list I keep throughout the year for this blog post and realized that I had Gary Clark Jr.’s song “This Land” listed under this category as a possibility and I think it deserves a mention. It is one of the most powerful songs I can remember hearing and the video just drives it home. When I watched his Austin City Limits episode I was wondering if they were going to bleep the n-word in this song, which they did. But then I saw a promo for the episode that included a snippet of this song that didn’t bleep it. Go figure.

Concert

I usually don’t allow myself to choose a set from The Newport Folk Festival to go in this spot because I’m pretty sure I would never write about anything that didn’t happen at Newport ever again. Perhaps I should just create a new category for the best thing I saw at Newport, but I’m not going to do it this year. I am however going to write about two sets that happened at Newport though because one would have been the highlight of my year if it weren’t for the second and the second is the literally the most amazing musical experience I have ever had in my life so there was no way I couldn’t include it here.

The first set I’m referring to was The Highwomen’s debut and as of this writing still the only actual full concert set they’ve done. I thought that they would at least do a couple dates in conjunction with the release of their album and was willing to travel anywhere to see them again, but they never did and at this point I don’t know if they ever will. I’ve seen up to three of the four of them join each other for a few songs at each other’s shows, but no other full on performances. I’ll be seeing Brandi Carlile at the Ryman in January and Natalie Hemby is opening for her. Since Amanda Shires and Maren Morris both live in Nashville and it doesn’t look like either one of them will be touring then I’m hoping maybe we can get a little reunion during that show if Maren isn’t in labor since she’ll be hugely pregnant by then. Anyway, I feel so blessed to have seen them perform. The album wasn’t out yet at that point and listening to them play it through I knew it was going to be one of my favorite albums of the year. Since I already embedded my favorite song in this post here’s a song I love, but the best part of this video is the intro.

The other set was obviously the Saturday night all-female headlining set curated by Brandi Carlile with surprise guest Dolly Parton. It still really don’t have any words for it. It was truly magical to see so many awesome women up on stage together collaborating. It would take me to long to even name them all. One of the stories I read about it after the fact said something to the effect of can someone please go check on Jade Bird and make sure she’s all right. She was smiling so big up on the stage I’m worried she hurt herself. It’s true. I went back and looked at her in some of the video and I don’t think she could have been smiling any harder. That’s how I feel about it. I still smile every time I think about it. Newport always surprises me, but I don’t know how anything can ever possibly top this experience in my book.

Broadway Theatre Production

For some reason I apparently was very into pop culture reflecting stories about 1980s Northern Ireland and the Irish troubles in 2019. I don’t know why. It’s not something I sought out. It just happened. This is all a lead in to say that my favorite thing I saw on Broadway this year was the play The Ferryman. It’s for certain the longest show I’ve ever seen as a three act play clocking in at 3 hours and 15 minutes including a 15 minute intermission and a 2 minute “pause”. It has a sprawling cast of people from seniors to a real baby about which I jokingly wondered how many babies do they have backstage to make sure they have one that isn’t crying during the show? It pretty much had all your emotions covered bringing you through experiences of great joy and others of sadness. It was also super intense at times particularly the ending, which I did not really see coming. I left that play thinking I have no idea how those actors do that 8 times per week. It’s closed on Broadway now, but if you ever get a chance to see a production I highly recommend it.

Baltimore Theatre Production

I adored Come From Away when I saw it on Broadway and saw it again in 2019 as part of our 2018/2019 season tickets at the Hippodrome. It was just as effecting as when I saw it the first time. It’s definitely one of my all-time favorite musicals ever. It’s still running on Broadway and if you’re ever in New York looking for a show to see I can’t recommend it highly enough. Don’t let the fact that it’s about 9/11 make you think you’ll leave horribly depressed because you won’t. Of course there are sad and difficult parts, but it will also leave you filled with a hope for humanity that seems in very short supply these days. The current cast did a Tiny Desk Concert at NPR this year on the anniversary of 9/11, which will give you a great taste of the show.

Podcast

I still love Make Me Smart, which I’ve mentioned in this category the past two years, but this year I’m branching out and talking about two limited series podcasts. At a total of 19 episodes between the two of them you can listen to them both in less than a day’s time. I seriously did listen to Bhi Bhiman’s Peace of Mind in a single day save for the final episode, which hadn’t dropped yet when I discovered the podcast. It’s billed as the first album released as a podcast. Bhi Bhiman wrote a bunch of songs related to social and political issues and then recorded podcast episodes exploring further the topics he wrote about in his songs. It’s really fascinating and is something I for sure have never seen done before.

The other podcast I have to recommend to you is Dolly Parton’s America, which I feel like everyone has been listening to. I’ve seen so much written about it, posted on social media, talked about on other podcasts, etc. I even overheard the people at the table next to me at brunch the other week talking about it. Jad Abumrad uses interviews he had with Dolly over the course of several years as a spring board to talk not only about her and her career but how they relate to the larger country and the issues we face as a whole. It’s really great.

Podcast Episode

Obviously I thoroughly enjoyed and very much recommend all the episodes of the podcasts I just talked about, but I thought I would branch out a little for my favorite episode and talk about the two episodes (part 1, part 2) of the Out of the Blocks podcast titled “Out of the Docks”. I’m not going to lie. There’s a good chance I picked these episodes just because I love the punny episode title so much. In these episodes rather than visiting a single city block in Baltimore like they normally do they talk to people who live and work on boats in some of Baltimore’s harbors. It was a fascinating look at the difficulties of living on a boat and the reasons why people choose to do it.

New Music Friday: Rewind Edition

So we are at the very last Friday of the year and there’s not much new happening in the music world, so I thought I would use this final New Music Friday post to talk about a few songs that for whatever reason were not the subject of a previous New Music Friday post and didn’t rise to the level of getting a nod in my forthcoming most memorable pop culture of 2019 post but which I very much enjoyed this year.

Something Keeps Calling by Raphael Saadiq

“Something Keeps Calling” by Raphael Saadiq is quite possibly the song I heard the most in 2019. I listen to WXPN at work most days and I feel like they played this song more than any other. It is a really good song off of Saadiq’s album Jimmie Lee, which is all about his older brother who died of a drug overdose.

Coming Down for You by Joan Shelley

The fine people at NPR Music have been raving about Joan Shelley for years and how her music is just a calming balm for the soul. I for whatever reason could just never find a way into it and it never did a whole lot for me. “Coming Down for You” finally gave me a Joan Shelley song that I could get into. It turns out it was not an entré into her music as a whole as when I tried to listen to the whole album I still didn’t care for it. This will apparently be my Joan Shelley song.

 

Bags by Clairo

“Bags” is off of Clairo’s debut album, Immunity. The 21 year old whose real name is Claire Cottrill has already put out some excellent music. She began putting out music on YouTube at the age of 14 and garnered a lot of attention there. I just really like this song. She also has an excellent episode on the Song Exploder podcast about her song  “Alewife”

 

Tip of Tongue by Kenny Chesney

I get the sentiment of this song, but ultimately I don’t think the lyrics make much sense. Nevermind though because I love the way it sounds and it’s one of my favorite country songs of 2019.

 

Dance Monkey by Tones & I

I like a good fun pop dance song and this certainly is one. Luckily so far I haven’t heard it enough to find it grating. It’s definitely the kind of song that has the potential to eventually tip that way, but for now I’m digging it.