On Tuesday night I made the trek down to DC to see Maggie Rogers at The Anthem. I didn’t actually set out to see Maggie Rogers 4 times in the span of a year’s time, but that’s what happened. I first saw her last November opening for Mumford & Sons at which point I started kicking myself for not having bought tickets to see her at the 9:30 Club in March. I refused to pay the scalpers the almost 10x the face value that they were selling the tickets for, so I missed that show. But a few days later when her show for the Anthem in October went on sale I snapped them up. Then she wound up playing at the Newport Folk Festival this year, and as you know my husband bought me tickets to see her at The Greek Theatre in LA. I would totally see her again too.
Having just seen her a few weeks ago I knew I was going to pretty much get the same exact set, but I was 100% okay with that because Maggie is such a great performer and so fun to watch. Plus I adore the music obviously. She did play one new song that she’s written but hasn’t recorded yet. That was a nice treat. I saw her say something about performing it for the first time last week at one of her Radio City Music Hall shows, so I was hoping we would get it too, and we did. Other than that it was pretty much exactly the same down to the stage banter for the most part, which she doesn’t have a lot of. Just swap out DC for LA and the names of the opening acts. (I really liked Now, Now who opened for her in LA. I did not so much care for Empress Of who opened for her at this show.)
I did learn one dirty little secret though. At the LA show as she was introducing the band she was pretty much saying that they were pretty much either all from LA or in the process of moving to LA. Maybe they are in the process of moving to LA. I don’t know. It seems like a reasonable place for a band to make their home base. But then when she was introducing them at this show LA was mentioned in relation to nary a band member. Then she said let me tell you a secret, I often like to introduce one of the band members as from the city we’re playing in even though they’re not actually from there, but this is my hometown (not really, but I guess Salisbury, Maryland is close enough) so I’m not doing that tonight. So now I know I was probably lied to in LA.
Despite the music being the same in some respects the show felt completely new to me. Mostly it had a lot to do with the lighting. I know they didn’t redo the lighting design in the last couple of weeks, but somehow it seemed entirely new to me. It could be because the obnoxiously drunk girls in front of me at The Greek kept me distracted from the show or just plain blocked my view. It could be because with the time change Maggie didn’t even take the stage until well after I’m normally in bed, so I was half asleep. It could be the difference between how they looked in an indoor versus outdoor venue, or it could be that I was sitting above them in the balcony this time. Maybe a combination of all of the above.
Seeing her this time was a much better experience than at The Greek mostly because of the stupid drunk girls in front of me at that show. I had no one in front of me at the Anthem and there were no annoying people anywhere around me. It’s a concert miracle since usually I attract the worst people at concerts. This show did finally make me figure out the only way I ever want to see shows at the Anthem again.
The Anthem is a fairly new venue. It opened 2 years ago this week in fact. It’s a mid-size venue holding about 6,000 people, which based on the number of shows that sell out there was sorely needed. The 9:30 Club where most of these people would have played previously is about a quarter of the size. So obviously it’s great to have a venue that can hold more people and give more opportunity to go to the show, but logistically it’s just a nightmare if you’re doing a general admission standing room show.
The one thing that I will never be able to get around is the location. The 9:30 Club is on the outskirts of the city and much easier to get to from Baltimore. Plus they have their own parking lot. The Anthem is built at this trendy new development called The Wharf with lots of shops and restaurants along the Anacostia River in southwest DC. It’s a freaking pain the butt to get to with DC traffic and there is nowhere to park. I know DC has fairly decent public transit compared to a lot of places, but there isn’t a Metro stop particularly near there (not that it would help me anyway), and the parking is severely lacking. I don’t understand how they built this and thought we don’t need that much parking. There is a lot there, but it’s not very big and I would never count on finding a spot there. If you’re trying to use Spothero to get a parking spot the closest non-valet place to park is 3/4 of a mile away. I’m definitely not trying to wait on a valet to fetch my car after a 6000 person show lets out, so I hoofed it from a ways away. Catching an Uber/Lyft near there after the show is also a nightmare as I did that last time I was down there and was staying over with a friend who lives in DC. It’s just a terrible place to get to no matter how you’re trying to do it.
I know a lot of people who really like the Anthem as a venue. I don’t love it. I mean it’s not a terrible place to see a show. When I was there to see Brandi Carlile and it was a seated show with only about 2,500 people it was great. I don’t like crowds so the 6,000 person standing room thing is an issue for me not only because being surrounded by that many people in a crowd with no designated space makes me twitchy. Plus I’m short so I’m never going to be able to see over that many people. Also they do not have enough security to deal with getting that many people into the venue. I don’t know what they can do to make it better given the limited number of doors into the venue, but the lines to get in are insane.
I figured out the secret to avoiding all of this at this show though. They have box seats in the balconies that you can buy tickets to. The only drawback is you have to pick them up at will call, so if you can’t make the show for some reason you have no way to sell them and recoup your money. I get that they’re trying to prevent scalping these tickets, but for someone who only ever resells tickets at face value, it’s a little annoying for me. Stupid scalpers ruining everything. I have certainly changed my mind at the last minute about going to show in DC that I bought tickets for and resold them on several occasions. I guess this forces me to not back out unless I really have to rather than just I decided it’s too much of a pain to drive down to DC on a school night.
Anyway, I bought one of those box seat tickets this time even though it makes the already stupid expensive Anthem tickets even more expensive, and I will never go back. First it gets you into the venue through the VIP security line instead of you having to stand in the insanely long general admission line. Second you actually get a seat. I’m old and tired and I like to be able to sit down at concerts if I want to. Third, being in the balcony particularly in the first row like I was meant no one was in front of me and I could actually see the show. If I was on the floor I would have been lucky to get a glimpse of Maggie here and there. If I can’t get one of those tickets the next time I want to see someone playing at the Anthem unless it’s one of their rare fully seated shows, I don’t think I’ll go. Aside from the location and the parking issues having the box seat ticket solved all of the other things I hate about this venue.
It turned out to be well worth the trip down to DC on a Tuesday night even though I promise you I did a lot of whining about going, especially since I was going solo, before I left that night. I was like whose dumb idea was it to buy a ticket to this show? It was mine, and I’m glad I had it.