Sunday night I finally made it down to DC’s new concert venue, The Anthem. I’ve been staring longingly at all the shows I would love to see on their concert calendar, but DC is such a trek it usually takes a lot to get me to pull the trigger on anything especially on a weeknight. Of course it would be Brandi Carlile that finally got me down there.
Yes, I did just see her twice in New York City in April. I went up there because I was afraid I would be busy on whatever Baltimore/DC date she was going to schedule in the future. Sure enough when she announced her full list of tour dates I was glad I got the tickets for New York City because the original DC date was on the same day as our annual Preakness party. For reasons I won’t go into we didn’t wind up having our party this year, but by the time we knew that wasn’t going to happen the Saturday show was sold out. Luckily they added a second show on Sunday night. I waffled back and forth about going since I had just seen her in New York City, but I was nudged over the edge by my husband volunteering that he would go with me and telling me I should buy tickets and also my desire to see Darlingside who were opening.
Darlingside is a folk band from Boston. Their harmonies are incredible. They basically spent their entire set grouped around a single mic singing together. In addition to their beautiful music they are also really nerdy and funny in a way that I had no idea about. Their stage banter made me laugh a lot. They said the first thing they thought about The Anthem was that they were playing in front of the Galactic Senate from Star Wars. I hadn’t thought of it before, but as soon as they said it I could totally see it. There are a lot of nerdy references in their music that I didn’t realized before either. They have a song all about Harrison Ford, which I don’t think I had heard before. My major revelation of the night came in reference to their song “Go Back”, which is apparently a reference to Back to the Future 2 and not the nerdy reference to Lost that I’ve said before is what I have always thought about when listening to that song. Their whole set was great. They got a standing ovation and people yelling encore at the end, which is not something you see a whole lot for opening acts. I definitely look forward to seeing them again in the future.
Brandi’s set was much the same as the shows I saw in New York, but there were a few additional songs. The Beacon Theatre has a strict 11 pm noise ordinance whereas The Anthem obviously does not so they added a few more songs to their set. The set list made me very glad I was there for the Sunday show instead of the Saturday show. I looked Saturday’s set list up and I was happier with the extra songs on Sunday. She played “Dreams”, which I really like in and of itself but which I now always associate with this delightful time in which one of WRNR’s DJs decided to play it twice in a row because he loves it too. For one of the encore songs they brought Darlingside back out on stage and sang a cover of The Eagles’ “Seven Bridges Road”, which was wonderful. Between Darlingside and Brandi and Twins there were practically more harmonies than that stage could handle. It was an amazing show from top to bottom and well worth the effort to go down to DC on a school night. Now I’m counting down the days until I get to see Brandi again when she plays my dream concert co-headlining with Jason Isbell.
Last Thursday I went to the final BSO Pulse concert of the season with Moon Taxi. I’ve written about these concerts before in which the Baltimore Symphony Orchestra plays, followed by a set from an indie band, and finally a collaboration in which the BSO backs the band on a few of their songs.
I haven’t been to all of these concerts, so I don’t know for sure if this one was different from all of the others but it was at least somewhat different than the other ones I’ve been to. What I tend to think about when I think of a band playing with an orchestra is a lot of strings, which has been the case for the other shows I’ve been to. This one however was all brass and percussion. Rather than one or two movements, this time the BSO played a number of shorter pieces including the theme from 2001: A Space Odyssey, the Olympic Fanfare, and a Handel piece written to accompany the Royal fireworks in Britain.
Moon Taxi is one of those bands that has been around for over a decade doing their thing, but is finally getting some real recognition six albums in. They were a super fun band to watch. Their lead singer, Trevor Terndrup is a fantastic performer. They were super energetic and got the crowd into it. Everyone was grooving. I was a fan of their music going in and now I’m even more sold on them. I would definitely go see them live again the next time they’re in the Baltimore area.
The decision to make arrangements with brass and percussion for the BSO to back Moon Taxi was perfect. Nicholas Hersh, the BSO’s Associate Conductor who conducts these concerts is always super fun to watch as a conductor, but this was extra awesome. He was totally grooving while he was conducting.
They also announced that they will be coming back for a Season 4, which makes me really happy. I wasn’t sure if there would be anything beyond Season 3 because I know they had a 3 year grant to do this. I really love these shows and am excited there will be more of them.
It’s been awhile since I’ve written about any songs I love here. It’s not because there haven’t been many songs entering my world that are worthy of being written about but as I’ve said before that my mental energy to write has been almost non-existent hence the few and far between posts around these parts. But I’ve been on a vacation from work, Twitter, and Baltimore and have restored my energy for a few days at least.
River Whyless is a band that I should really listen to more but for some reason just don’t. I like their music and I loved seeing them perform at the Newport Folk Festival a few years ago, so I’m not sure why they haven’t been a band I pay more attention to. Their newest song may just change that. “Born in the Right Country” is the first single off the forthcoming new album Kindness, A Rebel. I would completely dig this song based on the beat and guitar work no matter what lyrics went along with the music. In a time when it becomes more clear every day that the idea of the American dream is a lie this song speaks to the fact that where you end up in life is very much determined by where you are born in life and the systems that are in place are designed to keep people who are already in power in power. Not exactly a cheery song, but one that speaks the truth and to a great tune.
The other week on Facebook I said something to the effect that I hate how Hollywood is just continuously eating its own tail at this point and doing what seems like nothing but prequels, sequels and reboots. Obviously they keep doing it because the market is there, so I hate myself a little every time I contribute to their reasoning. Despite saying that there was no way I was not going to watch Cobra Kai, the sequel to the Karate Kid movies created by YouTube Red.
I feel like most people I know talk about what movies they watch over and over again Shawshank Redemption is always on the list. I’m pretty sure I’ve seen that movie exactly once. The movies I’ve seen a billion times are not nearly as high brow. My most watched movies list consists of Overboard, When Harry Met Sally, Can’t Buy Me Love, Girls Just Wanna Have Fun, and of course The Karate Kid. So YouTube Red wins. They hit right on my nostalgia button to make me finally set up an account with them. At least I got to watch it all via a free trial.
The series picks up in the present day following the characters of Johnny Lawrence and Daniel LaRusso and where they are now 35 years later. In some respects they have switched places from where they were in the movie. Daniel is now the well-to-do one who owns luxury car dealerships and is married with two kids. Johnny is down on his luck going from one menial job to the next, divorced, and a dead beat dad. Despite their different circumstances both of them are still stuck in the past in various ways.
Johnny decides to open up a Cobra Kai karate dojo, but instead of the cool kids that were part of Cobra Kai when he was a teenager his students are now the losers of the school. Meanwhile Daniel unbeknownst to him begins mentoring and teaching karate to Johnny’s estranged son. Neither one of them has let go of what they think the other one did to the other back in high school and are using their respective proteges to fight their own drama.
I did not have high hopes for Cobra Kai actually being any good, but it surprised me a little. Granted it’s still relying at least 60% if not more off of your nostalgia for the original movie. I’ll be interested to see how I feel about it during its second season when they don’t have all the callbacks to rely on because they’ve already used them all.
It’s certainly not high art, but I enjoyed watching it. I will not lie. Most of my favorite moments were tied to callbacks to the original movie. I definitely cheered a little for every one. But the show is not solely relying on those. They’ve actually done a decent job of developing the characters. I especially loved Daniel’s wife who called him out every time he started acting like a high school idiot again. She had my favorite line of the whole first season in the final episode. There is also a lot more nuance in looking at who is actually right and who is wrong as opposed to the very clearcut good vs. evil in the movie.
I will definitely keep watching when it comes back for another season. If you don’t have a strong attachment to the original Karate Kid movie I’m not sure I would bother watching this, but if you loved it like I did I would say it’s worth 6 hours of your time.